MKT 253

Fundamentals of Advertising

TU BBS · Fourth Year · Four-year BBS curriculum

Requirement
elective
Full marks
100
Practice sets
5 sets

Practice sets and model questions

5 complete syllabus-aligned practice examinations with model-style questions and step-by-step solutions. Independently prepared by Paper Khoj, not issued by TU.

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Practice Set 1

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PAPER KHOJ

Practice Examination — Set 1

For BBS · Fourth Year

Based on the prescribed TU Faculty of Management syllabus and examination structure

Independently prepared by Paper Khoj. This is not an official Tribhuvan University or Dean's Office question paper.

Course: MKT 253 · Fundamentals of Advertising

Level: Bachelor of Business Studies (BBS) · Fourth Year

Full Marks: 100

Time: 3 hrs.

Candidates are required to give their answers in their own words as far as practicable. The figures in the margin indicate full marks.

Group 'A'

Brief Answer Questions. Attempt ALL questions.

[10 × 2 = 20]
  1. [2]

    Define ‘Advertising’.

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    Advertising: Any paid form of non-personal presentation and promotion of ideas, goods, or services by an identified sponsor.

  2. [2]

    What is the DAGMAR model in advertising?

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    Defining Advertising Goals for Measured Advertising Results: Framework proposing that communication moves prospects through: Awareness →\to Comprehension →\to Conviction →\to Action.

  3. [2]

    What is an ‘Advertising Agency’?

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    Concept: An independent commercial service organization composed of creative and business people who specialize in planning, creating, and placing advertisements across media for clients.

  4. [2]

    Differentiate between an ‘In-house Agency’ and an ‘Independent Agency’.

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    Distinction: An in-house agency is fully owned and operated by the advertiser company itself; an independent agency is an external third-party company serving multiple non-competing clients.

  5. [2]

    What is an ‘Advertising Copy’?

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    Concept: All written or spoken words and text in an advertisement, including headline, sub-headline, body copy, slogan, and call to action.

  6. [2]

    What is a ‘Storyboard’ in TV commercial production?

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    Concept: A series of comic-strip-like illustrations showing the sequence of visual scenes planned for a TV commercial alongside corresponding dialogue and audio instructions.

  7. [2]

    What is an ‘Advertising Appeal’? Mention one type.

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    Concept: The psychological approach used in an advertisement to attract the attention of consumers and influence their feelings toward the product. Type: Emotional Appeal (Fear, Humour, Love) or Rational Appeal.

  8. [2]

    Define ‘Reach’ and ‘Frequency’ in advertising media.

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    Definitions:

    • Reach: Total number of different households/individuals exposed to an advertising schedule at least once during a given period.
    • Frequency: Average number of times an individual is exposed to the advertisement during that period.
  9. [2]

    What is ‘Media Scheduling’?

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    Concept: The timing of advertisements across the campaign period. Three main patterns: Continuity (constant schedule), Flighting (bursts of ads with silent hiatus), Pulsing (continuous base with periodic surges).

  10. [2]

    What is the ‘Advertising Board of Nepal’ (Bigyapan Board)?

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    Concept: The statutory regulatory body established under the Advertising Regulation Act, 2076, responsible for regulating, monitoring, and enforcing ethical standards and Clean Feed policy in Nepal.

Group 'B'

Short Answer / Descriptive Questions. Attempt any FIVE questions.

[5 × 10 = 50]
  1. [10]

    Explain the functions and structure of a Full-Service Advertising Agency.

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    1. Account Services: Manages client relationship and coordinates client marketing objectives with agency teams. 2. Account Planning & Research: Consumer insights, focus groups, and target market profiling. 3. Creative Services: Copywriters and art directors who write copy, develop headlines, design visual layouts, and film commercials. 4. Media Planning & Buying: Selecting optimal media mix, scheduling airtime/pages, and negotiating media rates. 5. Traffic Department: Regulates workflow to ensure creative artwork reaches printers and broadcasters before deadlines.

  2. [10]

    Describe the main components of a Print Advertisement Layout.

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    Print Ad Components:

    1. Headline: Bold prominent text at top designed to grab attention and select the target audience.
    2. Visual Illustration: Photograph or artwork depicting the product or emotional benefit.
    3. Sub-headline: Bridges the headline and body copy, sustaining interest.
    4. Body Copy: Detailed sales pitch explaining features, benefits, and evidence.
    5. Slogan / Tagline: Memorable, repeating corporate phrase.
    6. Logo & Mandatories: Trademark, contact details, website URL, and disclaimers.
  3. [10]

    Explain the major types of Advertising Appeals with examples.

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    1. Rational / Informational Appeals: Focuses on practical functional benefits (price, durability, efficiency, nutritional facts). 2. Emotional Appeals: Taps into feelings: Fear (insurance/helmet ads), Humour (Fevicol/Coca-Cola ads), Warmth/Love (baby product ads), Prestige/Pride (luxury cars). 3. Moral Appeals: Appeals to consumer sense of right and ethical duty (charity, anti-smoking, environmental protection).

  4. [10]

    Compare the advantages and disadvantages of Television Advertising vs. Social Media Advertising.

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    Comparative Analysis:

    • Television: Mass reach, multisensory impact (sight, sound, motion), high prestige; but extremely expensive production and airtime, high clutter, lack of interactive targeting.
    • Social Media (Facebook/Instagram/TikTok): Precise demographic and behavioral targeting, low entry cost, interactive engagement, real-time analytics; but ad fatigue, short attention span, ad-blocking software.
  5. [10]

    Explain the methods used for setting an Advertising Budget.

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    Budgeting Methods:

    1. Percentage of Sales: Allocates fixed percentage (e.g. 5%) of past or projected sales revenue; simple but circular logic.
    2. Objective and Task Method: Defines objectives, outlines tasks, and calculates cost of each task; most logical and recommended method.
    3. Competitive Parity: Matching competitors’ advertising spending levels.
    4. Affordable Method (All-You-Can-Afford): Budget set after all other operating costs have been allocated.
  6. [10]

    Discuss the ethical and legal issues in advertising in Nepal under the Advertising Regulation Act, 2076.

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    Key Legal Provisions:

    • Prohibition of misleading, deceptive, or unsubstantiated claims.
    • Ban on advertising tobacco, alcohol, and hazardous prescription pharmaceuticals across mass media.
    • Mandatory Clean Feed Policy: Foreign satellite TV channels broadcast in Nepal must be free of foreign commercials.
    • Promotion of domestic advertising industry and creative artists.

Group 'C'

Comprehensive / Analytical Questions. Attempt any TWO questions.

[2 × 15 = 30]
  1. [15]

    Explain the Methods of Testing Advertising Effectiveness. Differentiate between Pre-testing and Post-testing methods, giving examples of laboratory and field techniques.

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    1. Pre-testing Methods (Before Full Campaign Launch):

    • Consumer Jury Test: Sample target consumers rank alternative ad drafts.
    • Portfolio Test: Test ad placed among dummy ads; consumers recall ads seen.
    • Physiological Tests: Eye-tracking camera (measuring visual fixation points), galvanometer (galvanic skin response to emotional excitement), pupilometer.

    2. Post-testing Methods (After Campaign Execution):

    • Recognition Test (Starch Method): Asking readers if they ‘noted’, ‘associated’, or ‘read most’ of an ad in a published magazine.
    • Recall Test (Day-After Recall - DAR): Telephone interviews 24 hours after TV broadcast asking unaided brand recall.
    • Inquiry / Direct-Response Test: Counting coupon returns, QR code scans, or phone call inquiries.
    • Sales Results Test: Measuring changes in sales volume across test markets compared to control markets.
  2. [15]

    Develop a comprehensive Advertising Campaign Plan for a new Nepalese Organic Tea brand launching in national and international markets. Detail: Target Market, Advertising Objectives, Creative Strategy, Media Mix, and Budget Allocation.

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    1. Target Market Profile: Health-conscious urban professionals aged 25–55 in Kathmandu, Pokhara, and diaspora/foreign export markets seeking pesticide-free premium wellness beverages. 2. Advertising Objectives (DAGMAR): Achieve 60% brand awareness in tier-1 cities and generate 20,000 trial packs within 6 months. 3. Creative Strategy:

    • Theme: ‘Purity from the Himalayas to Your Cup’.
    • Appeal: Emotional wellness + rational organic purity.
    • Execution: Visual storytelling showing pristine Ilam tea gardens and local women tea pickers. 4. Media Mix Allocation (Rs. 100 Lakh Budget):
    • Digital & Social Media (Instagram/YouTube/Facebook): 40% (Rs. 40 Lakh)
    • Television & OTT sponsorships: 25% (Rs. 25 Lakh)
    • Print (Weekend lifestyle magazines/dailies): 15% (Rs. 15 Lakh)
    • Influencer & In-store tasting campaigns: 20% (Rs. 20 Lakh). 5. Measurement: Tracking monthly retail sales lift, QR scan redemptions, and website e-commerce orders.
  3. [15]

    Discuss the Advertising Industry in Nepal. Trace its evolution, analyze the role of the Advertising Association of Nepal (AAN), and examine the impact of the Clean Feed Policy on Nepalese broadcasters and agencies.

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    1. Historical Evolution: From rudimentary newspaper classifieds in Gorkhapatra (1958 BS) to establishment of modern agencies in the 1980s, private FM radio boom in the 1990s, television expansion, and recent digital/TikTok influencer dominance.

    2. Role of AAN: Industry trade body representing accredited agencies; negotiates media commission rates with media houses, organizes CRITY Awards to celebrate local creative talent, and promotes professional advertising codes.

    3. Impact of Clean Feed Policy (2076):

    • Prohibited foreign commercials on international TV channels (Star, Sony, Zee) aired in Nepal.
    • Stimulated domestic production: Multi-national corporations (Unilever, P&G, Coca-Cola) had to produce local commercials dubbed in Nepali with local artists.
    • Provided revenue opportunities for Nepalese production houses, dubbing artists, and ad agencies.